Fuji certainly knows how to deliver great OOC jpgs. I ask these questions because many years ago I used an S5 Pro and the jpgs were outstanding. With RAW you can make your images scream far more garishly than the Velvia setting, or be gentle and subtle-and anything in between. However, it is much better to simply produce the ultimate image from the exposure than to try to emulate some arbitrary settings. With the very fine control RAW provides, I suppose you could. Have you been able to duplicate Fuji's film simulations? Software has been improving since the beginning of RAW, so you will be able to revisit your RAW shots in the future, and draw even more out of them. JPEGs will give you immediate gratification while you develop your eyes and your skills. So, yes, converting to JPEGs depends upon your skill-level and the goals you wish to achieve. Even when shooting under terrible conditions, the final image looks effortless. I have complete control of dynamic range, contrast, saturation, clarity, vibrance, fill-light and highlight recovery, sharpness, curves and even individual colours on an area by area basis. If most of the scene is ideally lit, but someone happens to be standing in a darker area, I can boost the exposure there, and again use layers and layer masks to blend them into the picture as fully balanced with the rest of the subjects. Using Photoshop's easy layers masks, I can shoot under mixed light and apply several white balances-one or more for each light source-then blend them together once stacked as layers. I can precisely dial in what I want to see, but it goes way beyond that. Camera settings are rather broad, while settings applied to the data in a RAW file are very fine. Thus when you process a RAW file prior to opening it, you have great control of every aspect of the image. What is contained in the RAW file may vary from camera maker to camera maker. It is a container that holds the raw data, preview, EXIF data along with camera specific data that the RAW processing program can access. RAW is not actually an image file format such as JPEG or TIFF. It has an embedded preview which is in fact a JPEG, but that is just a preview. RAW does not respond to camera settings-it truly is the raw data off the sensor. And, yes the X100 does produce very nice JPEG quality.ĭo RAW files easily convert to quality jpgs or is much more processing required? My question is directed to those who have shot RAW and jpegs and compared the two.ĭuring the first few weeks, I shot RAW+JPEGs, but since Adobe Camera RAW6.4 became available, have shot RAW exclusively. So far, the out of camera (OOC) jpegs look very good. If you want to try out the new features, you can download the latest Camera Raw release candidate using the links below.ĭownload Adobe Camera Raw 8.1.0.43 / 8.4 RC 1 for Windowsĭownload Adobe Camera RAW 8.1.79 / 8.4.I have not been able to access Fuji X100 raw files (waiting for an Aperture update). In addition to these cameras, the new build also comes with added support for over 30 new lenses, including: iPhone 5c, Canon EF-S 18-55mm f/3.5-5.6 IS STM, SIGMA 24-105mm F4 DG OS HSM, Zeiss Otus 1.4/55 ZE/ZF.2, Fujifilm X100S, Nikon AF-S NIKKOR 35mm f/1.8G ED, Nikon 1 NIKKOR 6.7-13mm f/3.5-5.6 VR, Sony E PZ 18-200mm F3.5-6.3 OSS and lots of Sony A-mount optics.īesides these new camera and lens profiles, the new Camera Raw version for Photoshop CC also adds a few new features like: updated previews, pet eye correction, improved local correction and Camera Matching color profiles (PROVIA/STANDARD, Velvia/VIVID, ASTIA/SOFT, MONOCHROME, etc.) for the following Fujifilm cameras: Fujifilm X-A1, Fujifilm X-E1, Fujifilm X-E2, Fujifilm X-M1, Fujifilm X-S1, Fujifilm X-T1, Fujifilm X-Pro1, Fujifilm X10, Fujifilm X20, Fujifilm XF1, Fujifilm XQ1, Fujifilm X100, and Fujifilm X100S. That being said, the latest Camera Raw version now supports the following digital cameras: Canon EOS 1200D (REBEL T5, KISS X70), Casio EX-100, DJI Phantom, Fujifilm X-T1, Hasselblad H5D-50c, Hasselblad HV, Nikon D3300, Nikon D4S, Olympus OM-D E-M10, Panasonic LUMIX DMC-ZS40 (DMC-TZ60, DMC-TZ61), Phase One IQ250, Samsung NX30, Sony Alpha a5000 (ILCE-5000), and Sony Alpha a6000 (ILCE-6000). Today, the Photoshop maker has announced a new Camera Raw release candidate that adds support for all new digital cameras announced / launched in the past few months even though they are yet to hit market shelves. With all these camera announcements, it was just a matter of time until Adobe released a new version for its most popular image editing applications, Photoshop, Lightroom or the Camera Raw plug-in. The last couple of months have seen the release of quite a few new camera models from all important players on the digital camera market, including: Canon, Nikon, Sony, Fujifilm, Olympus, Panasonic, Ricoh (Pentax), Samsung, Hasselblad, and Phase One.
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